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How can you use dramatic color contrast to improve a design?

Posted by Jen in design & art, tutorials on January 20th, 2009

color_designcolorize_elements

Color, the very important element in design, gives a lot of information about what the design work is trying to say. It generates interesting visual effects, creates atmospheres, expresses emotion and feelings, conveys meaning and thus provides guidance to the audiences into the world of the specific design work. Getting multiple colors together, with different values and saturations, creates contrast.  And contrast leads to dimension Just like size, shape and position, color tells which objects are in the front, which ones are in the middle and others in the background.  The more dramatic difference the colors have, the more obvious dimension we get in the design.

Usually the color with higher value and saturation appear to be closer to the audience then those with lower value and saturation.  And combining colors with big difference in value and saturation can result to very distinguished dimensions. Objects with this dimension visual effect tend to appear more outstanding and get more attention.  This is because high contrast colors give the distinguished effect of dimension.  Examples can be found in the following situation.  Increasing the difference between the colors of text and its background to get a dramatic contrast can practically enhance the readability of the type.  Therefore, a great color contrast might be used to the main objects in the design for the purpose of making it an outstanding dimension from the background, while the supporting objects are always supposed to be in low color contrast to melt into the background.

The first image is a two-page commercial in the magazine VIA. This is an introduction to the travel agency, who travels mostly to China area, such as Hong Kong.  The page uses 2 major colors – Green and Red.  These two colors are the complementary in the color scheme.  In most design works, they are avoided to be together. It is just like a principle in design field that green doesn’t get along with red.  However, in this example of color contrast, the designer used these colors wisely and made the design a successful one.  First of all, the color theme in the design is green. The background is light green, and the main object in the front of the photo is fresh green.  On the other hand, red, although appear next to green, is not as dominant as green in this design, but just in a supporting role, only showing in the background, out of focus.  This way, the green Chinese style of umbrella is standing out of the photo to give a very appealing first sight to the audience.

Motion Graphics - Matrix

Posted by Jen in design & art, random thoughts on January 8th, 2009

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Matrix is the movie full of amazing motion graphics. It’s opening scene inspired lots of graphic designers and has been used in many different occasions and places. The scene consists of a black background with flowing codes running vertically in neon green. The movie name comes from the background changing from small letters to huge graphic. Black background makes the scene look mysterious, neon green running codes are the symbol of digital world. This motion graphic mimics the busy running of a computer with all the codes flying to same direction to do some complicated programming. This motion graphic exactly matches the movie’s theme - the world is just a program in the computer. It is a thoughtful movie, and the fancy motion grphics made it more interesting.

Leopard now

Posted by Jen in trends on January 6th, 2009

When it comes to daily life stuff, I am not really a fan of chasing the trend to do updates actively. Such attitudes certainly apply to the macbook pro that I’ve been using over the years on an extremely intense basis, I’d say. So when my boss finally requested to upgrade this baby to leopard OS for multiple times, I was as reluctant as I was to clean up my garage with millions of dust covered antiques. yes, my garage has everything, except cars. :P

It all happened within my expectation, problematic and exhausting. I’ve spent 2 full days, to do the very first step of this project - restore the hard drive to an external drive. Having tried USB, firewire and different external drives, different ways, restore from the install disk, restore from the desktop, went to mac forum and even called Apple customer service and being told my warranty is expired, I gave up. Had too much stuff in this baby - not just data, but also the applications which I have no clue how to reinstall since either the CDs are not handy any more or the keys are nowhere to dig out, to take the risk of upgrading without the full disk imaging backup is the last thing I would do.

Days later, I found this software - SuperDuper!, a renowned application for mac restoration. After 2 hours running, it gave me the exact same error message as the Disk Utility in mac says - “Restore failure, input/output error”! Right at the moment I was about to pass out, I found this log file with all my ecstasy. All right, so it turned out to be one of the millions of files in this machine is corrupted - it is the Flash CS3 video encoder. The restore worked perfectly right after I removed this brat.

Now I am with Leopard, will try Time Machine shortly.

Packaging - Moisturizer

Posted by Jen in design & art, random thoughts on December 5th, 2008

The three packages presented are Neutrogena Moisture, Elizabeth Arden Prevage and Alpha Hydrox.

neutrogenaalpha_hydroxahava_timeline

Neutrogena uses white and blue as its primary colors. With the color scheme and big white spaces, the package gives a clean and simple feel to the consumers. As a skin care product, clean and simple design is trying to make people think of good skin.

Unlike Neutrogena’s white paper package, Elizabeth Arden uses a plastic semi-transparent box through which consumers are able to see the inside product. This design makes the product package interesting and appealing. The gray and orange color scheme is pretty and high-quality looking.

Alpha Hydrox uses a very different color scheme - red and white. On the left top corner of the box, it uses a fake 3D design, in order to emphasize on the product’s important feature - 10% AHA Anti-wrinkle treatment. This special effect works great to draw people’s eyes to that part of the package.

Overall, I’d say all of the 3 packages are in good design. They all use light color as their primary colors. Logos of the manufacturer are all placed in the front of the package, with big white spaces around to give a clean feel. They all have their own unique look. The designers are trying to make their own product stands out from the same type. And I think they succeeded in it.

Styles - the spirit of a design

Posted by Jen in design & art, random thoughts on December 4th, 2008

menuHow can type attributes strengthen a design and why are “styles” important?

The most obvious feature of type is that it forms words and sentences, and makes the direct message in graphic design work.  On the other hand, type also appears as a form of graphic, through which it provides meaning in an immediately visual way. The type attributes of font, weight, size, color etc impact the look and feel of the entire design work.  Type has its mood.  If used properly, different types with different attributes can express their own mood.  And readers are able to feel the mood even without reading the direct message.  Good design can integrate the visual attributes of type with its sentence meaning and the theme of the entire design work.  From this we can see integration of all the elements in design is always the point to create a good design with powerful way to tell its message.

Style in a design is just like spirit of a person. Person with spirit makes a living, active and thoughtful life. Design with a style makes an interesting, dynamic and meaningful visual work.  To tell a certain message is the ultimate purpose of a design.  Therefore, style is determined by this message.  It is to support the design work to convey the message in a clear and impressive way.  Style applies to type, photos, layout, etc. And in one design work, it is always supposed to have only one style. Elements display this style consistently through out the design work.

KISS - space

Posted by Jen in design & art, tutorials on November 23rd, 2008

thepianoHow can an awareness of negative space improve a graphic design?

White space or space without much variation, saturation or high values is considered as negative space. As part of the graphic design, negative space is equally important as positive space. It won’t attract people’s eyes in the first place, it is used to support the positive space, integrate all the elements in the design and create an environment and atmosphere. As we can see from my creative exercise, image without the negative space, is only displaying a number of objects that has no relationship to each other, which cannot be taken as a design work. Only an image with both negative and positive space can compose a design that has some meaning to tell.

To adjust the amount of the negative space and balance it with the elements is a very important step in the design job. While too much negative space may result to a loose graphic, making the audience hard to receive the message, too little negative space can also result to a cluttered graphic, too intense for the eyes to ease in between each object. The usage of negative space reminds me of the most basic but exclusively important principle of graphic design – KISS (keep it simple stupid). In the field of design, when we say simple, we are referring to fewer objects, less variation and more open space. An adequate amount of white space will make the text legible and graphic components powerful. This also interprets the concept of KISS as “Less is more”.

In a nutshell, a design can never be successful without the balance between negative and positive space and integration of them as well.

Fall Fantasy - using brush tool in Illustrator

Posted by Jen in design & art, tutorials on November 20th, 2008

When fall is coming, I envision this fall fantacy…

Type:
1.Type: Arial black, 36pt. create outline, use 5pt flat brush.

Applying brushes to path:
2. fall leaf: use the pencil tool to draw some lines, and apply the fall leaf brush on them. Default property of the brush is used.
3. strawberry: use the rectangle tool to draw three rectangles. fill color is none. apply the Strawberry color brush to the stroke of the rectangles. change the brush options as: size 50% - 70% random, spacing 50% - 70% radom, scatter -130% - 27% radom, rotation -75 - 75 random. colorization: hue shift with color of red.
4. ladybug: draw a rectangle around the text. apply ladybug brush on the stroke, with property of: size 80% fixed, spacing 333% - 726% random, scatter -59% - 52% random, rotation -180 - 180 random.

Creating brushes
5. birds: draw three birds with pencil tool. make them into 3 scatter brushes. use line tool and pencil tool to draw path, and apply the bird brush to the path.
bird1: size 20%-100%, spacing 25% - 95%, scatter 2% - 100%, rotation 0 fixed.
bird2: size 10%-64%, spacing 17% - 79%, scatter 2% - 100%, rotation 0.
bird3: size 25% fixed, spacing 36% fixed, scatter 0% fixed, rotation 0.

Using a brush library:
6. Use the graphic sun in celestial stars and sky library, draw a sun at the left up corner.
7. Use the artistic water library, water color stroke1 brush to draw the border.

Background:
8. fill with yellow, use scribble effect.

arrange the order of each object.

fall fantacy illustrator work

Advertising - Cars

Posted by Jen in design & art, random thoughts on November 11th, 2008

The three ads presented here are Nissan Maxima, Audi Q7 and Acura MDX perspective.

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The Nissan ad consists three parts: The main image on the top showing the car’s inner part, the outer body of the car underneath the bigger image and the bottom part for the text. The ad uses black and white to separate the image and text, While the car body is just at the separation line. even though the body image is not big, it stands out from the entire ad. And the vertical layout of the ad is perfect for the flow of the eyes. People see the luxury inner part of car first, then the outer body and last is the description text, which is just a logical way of thinking - images to draw attention first then the detailed text content to give more information.

The Audi ad is made of three parts too. It’s quite similar to the Nissan ad. But on the top of the ad it shows a close-up look of the car’s headline instead of it’s inner part. Then underneath it, is the outer body of the car. Description part is at the bottom too. Eye flows from top to bottom, drawn to the closeup image first and trying to find more info. Then shows up the entire body followed with detailed description.

The Acura ad is different from the above two in its layout. It has only two parts, the body image on the top and the description at the bottom. This layout makes the ad look simpler than the other layout does. But simple is not a bad thing in graphic design. This applies to ad design too. The design is good as long as it achieves the goal of the ad - be impressive and make people desire to buy. So the Acura ad simply put a running car image on the top, without complication. People don’t need to figure out where to see, what to see, it’s just a cool car followed with its description.

Overall, the three car ads all use black as the primary color, because black means luxury which is one of the features of these cars that the ads want to tell people. They all use the vertical layout with big images on the top and text at the bottom. This is a logical way to show things to people, since big images will attract people’s eyes first, and then the text tells the details and more information. One more common thing of the three ads is that all of them show the logo of the car make in the big images - Nissan shows in the steer wheel, Audi and Acura show in the front. This is very important, since the logo is essence of the products.

Interactive design - website of SFMOMA

Posted by Jen in design & art, random thoughts on November 7th, 2008

Website of San Francisco Museum of Modern Art is a good sample of interactive design.

sfmoma1sfmoma2sfmoma3sfmoma4

The site is divided into 4 sections with 4 different colors: the front page with red, information pages with green, pages for membership and educations with blue and pages for the exhibitions and collections with orange. Different color schemes make the pages look interesting and impressive. Layout, especially the menu buttons are consistent with slight changes in the positions. However, layout in the same session keeps the same with the positions of the text and images, font sizes and the color scheme. Consistency helps the users to navigate the website without confusion, while simple, clean look of the pages with well designed layout, logo, font, white spaces in between the text and images makes this website very stylish looking and user friendly.

The color schemes of each section are very well managed. For the front page, red is good choice, since it is very outstanding and catchy, which helps to draw people’s attention to the site. And because red is outstanding, de-saturated colors (mostly black and white) are used to the images, to balance the color vision of the page. The same color balancing strategy is used to the rest of the pages as well.

Well managed colors, layout and white spaces make the images catchy while the pages don’t look crowded even thought there is a lot of information being presented in there.

Publication Design - UpFront in Business Week

Posted by Jen in design & art, random thoughts on November 2nd, 2008

Presented here are the UpFront column from BusinessWeek 10/23/06, 11/6/06, 11/13/06 issues.

upfront

From the three issues, we see the look and feel of the UpFront column is really similar.

First, they all use 4 column layout, with a small article placed on the left, red stripe for heading background and white color text, and an image underneathe the heading, followed by the content with light yellow background. The right side with three column layout consists of two stories, one on the top and one at the bottom. The top story which is the main one occupies about two thirds of the space and the bottom story occupies the rest of one third. There is always a black bold line dividing the two stories along with other dividers, such as a horizontal image or a long bold heading.

Seond, the fonts of three issues are always the same.  For the heading, it’s big bold Arial, while the left side content is in small regular weight arial and the right side is small regular times new roman.

The only difference of these three issues are the position of the images for the right side two stories.  I think this is somehow to adjust with the amount of the text, in order to have all the content fit in one page. And instead of using boxy images, designers are trying to use the images that the text can wrap around them, which makes the text and image interact with each other and increase the interesting look and feel of the columns.