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Rythm - Usage of Repetition

Posted by Jen in design & art, random thoughts on February 14th, 2009

pattern_cardRepetition with a certain amount of spaces creates rhythm in graphic design, due to the fact that repetition makes a pattern of consistency in the form of identical graphic elements including shape, style and color.  This design technique is very effective to unify and organize the entire creative piece, showing a clear flow in the design message and creating the sense and atmosphere of the graphic work.

However, too much repetition with too much identical elements can make the design to dull and too predictable to be stylish and appealing.  Repetition doesn’t necessarily to be copying elements exactly the same.   Variation can be a supporting and very important technique for repetition.  It can be variation in shape, size, position, color, etc, with which designers are able to create not only regular rhythm (repetition of identical elements), but also flowing rhythm (natural looking of movement) and progressive rhythm (a sequence of form to show the progression).  Space is also a very important factor supporting repetition to make great designs. The well adjusted space in between each repeated elements can create a sense of rhythm.  And again, they don’t have to the same amount of space, but rather spaces in the form of flowing as well as progressive rhythm.

How can you use dramatic color contrast to improve a design?

Posted by Jen in design & art, tutorials on January 20th, 2009

color_designcolorize_elements

Color, the very important element in design, gives a lot of information about what the design work is trying to say. It generates interesting visual effects, creates atmospheres, expresses emotion and feelings, conveys meaning and thus provides guidance to the audiences into the world of the specific design work. Getting multiple colors together, with different values and saturations, creates contrast.  And contrast leads to dimension Just like size, shape and position, color tells which objects are in the front, which ones are in the middle and others in the background.  The more dramatic difference the colors have, the more obvious dimension we get in the design.

Usually the color with higher value and saturation appear to be closer to the audience then those with lower value and saturation.  And combining colors with big difference in value and saturation can result to very distinguished dimensions. Objects with this dimension visual effect tend to appear more outstanding and get more attention.  This is because high contrast colors give the distinguished effect of dimension.  Examples can be found in the following situation.  Increasing the difference between the colors of text and its background to get a dramatic contrast can practically enhance the readability of the type.  Therefore, a great color contrast might be used to the main objects in the design for the purpose of making it an outstanding dimension from the background, while the supporting objects are always supposed to be in low color contrast to melt into the background.

The first image is a two-page commercial in the magazine VIA. This is an introduction to the travel agency, who travels mostly to China area, such as Hong Kong.  The page uses 2 major colors – Green and Red.  These two colors are the complementary in the color scheme.  In most design works, they are avoided to be together. It is just like a principle in design field that green doesn’t get along with red.  However, in this example of color contrast, the designer used these colors wisely and made the design a successful one.  First of all, the color theme in the design is green. The background is light green, and the main object in the front of the photo is fresh green.  On the other hand, red, although appear next to green, is not as dominant as green in this design, but just in a supporting role, only showing in the background, out of focus.  This way, the green Chinese style of umbrella is standing out of the photo to give a very appealing first sight to the audience.

Styles - the spirit of a design

Posted by Jen in design & art, random thoughts on December 4th, 2008

menuHow can type attributes strengthen a design and why are “styles” important?

The most obvious feature of type is that it forms words and sentences, and makes the direct message in graphic design work.  On the other hand, type also appears as a form of graphic, through which it provides meaning in an immediately visual way. The type attributes of font, weight, size, color etc impact the look and feel of the entire design work.  Type has its mood.  If used properly, different types with different attributes can express their own mood.  And readers are able to feel the mood even without reading the direct message.  Good design can integrate the visual attributes of type with its sentence meaning and the theme of the entire design work.  From this we can see integration of all the elements in design is always the point to create a good design with powerful way to tell its message.

Style in a design is just like spirit of a person. Person with spirit makes a living, active and thoughtful life. Design with a style makes an interesting, dynamic and meaningful visual work.  To tell a certain message is the ultimate purpose of a design.  Therefore, style is determined by this message.  It is to support the design work to convey the message in a clear and impressive way.  Style applies to type, photos, layout, etc. And in one design work, it is always supposed to have only one style. Elements display this style consistently through out the design work.

KISS - space

Posted by Jen in design & art, tutorials on November 23rd, 2008

thepianoHow can an awareness of negative space improve a graphic design?

White space or space without much variation, saturation or high values is considered as negative space. As part of the graphic design, negative space is equally important as positive space. It won’t attract people’s eyes in the first place, it is used to support the positive space, integrate all the elements in the design and create an environment and atmosphere. As we can see from my creative exercise, image without the negative space, is only displaying a number of objects that has no relationship to each other, which cannot be taken as a design work. Only an image with both negative and positive space can compose a design that has some meaning to tell.

To adjust the amount of the negative space and balance it with the elements is a very important step in the design job. While too much negative space may result to a loose graphic, making the audience hard to receive the message, too little negative space can also result to a cluttered graphic, too intense for the eyes to ease in between each object. The usage of negative space reminds me of the most basic but exclusively important principle of graphic design – KISS (keep it simple stupid). In the field of design, when we say simple, we are referring to fewer objects, less variation and more open space. An adequate amount of white space will make the text legible and graphic components powerful. This also interprets the concept of KISS as “Less is more”.

In a nutshell, a design can never be successful without the balance between negative and positive space and integration of them as well.